Under the Harrow - Flynn Berry
Under the Harrow opens with Nora Lawrence arriving in Winshaw to visit her sister Rachel. She’s not surprised when Rachel isn’t at the station to meet her, and walks to Rachel’s house where she discovers the body of her sister’s German shepherd Fenno hanging from the banister. Upstairs she finds Rachel's body.
Nora takes us on a journey of overwhelming grief and discovery, drawing on the turbulent relationship with her sister. Nora’s behaviour and memories reveal a protagonist who is manipulative, unreliable, obsessive and fuelled by internal conflict and jealousy. Her emotions are vivid and ominous, sensations we are able to recognise within ourselves but not willingly admit to.
“When I first saw her, I started to cry and Rachel tilted her head at me. This was a second shock. Her eyes were so swollen I had thought they were closed and that she was asleep. Her appearance frightened me, like the bashed-up girl was the scary thing instead of what had happened to her.”Nora appears delusional and unstable. She suspects everyone and becomes obsessed with a local man who she pursues with relentless impudence.
I am standing by the rill when Keith comes off the high street. We’re alone, though I can hear sounds from the Christmas market. I finger the straight razor I’ve started to carry, the sort of blade that before I only ever saw when a shop assistant used it to scrape the sticker from a bottle of wine.Although Flynn Berry is an American writer, her English settings are alive and captivating, though too perfect at times to have been described by a native Brit. However, whether it was Berry’s intention or not, Nora’s reflection of her and Rachel’s holiday to Cornwall, her regular visits to Rachel, and the fact that she’s away from home, transient in Rachel’s town as the murder investigation progresses, reflects the surreal feeling of being in a strange environment.
“I’m keeping a log,” Keith says, “of every time you walk past my house and every time you follow me inside somewhere.”
“That seems odd,” I say. “It makes sense we’d run into each other in a small town.”
Nora’s feelings of loss and confusion are captivating as she peels away the layers in her determination to find the man who murdered her sister. Berry’s characters are disjointed and interesting. Short sharp sentences prod the reader toward a disturbing, though, in my opinion, somewhat disappointing conclusion.
Flynn Berry writes the way I like to read. Her use of sensation to describe what her character feels is alluring. This compelling and riveting book comes highly recommended.
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